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But it’s also a story split across two decades, essentially bifurcated in two recent but now solidly bygone eras. The simple yet effective title “Of an Age” plays a few tricks with its double entendre the peppy romance about a young queer man’s first brush with love captures a certain glowing youthful nostalgia. “Of an Age” (directed by Goran Stolevski)
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They’re all the more agreeable in a movie that (mostly) eschews the presentism that’s become so en vogue in Victorian-era adaptation, and resists the urge to go full “Shakespeare in Love” in its suggestion that Brontë lived a bit of “Wuthering Heights” before she put it to paper. And those same people will surely be up in arms over her melodramatic vision of how literature’s most famous middle child came to write “Wuthering Heights” - not least of all because it involves getting high on opium and giving a blowjob to the hunkiest new member of the Yorkshire clergy while Abel Korzeniowski’s vortex-like violin score goes absolutely hog wild over the soundtrack.īut such invented splashes of rebellion and romance only add to the ecstatic truth that “Emily” brings to its windswept tale of a stultified woman survived by her inner strength. Read IndieWire’s full review.Įmily Brontë’s blank canvas allure won’t stop purists from scoffing at Frances O’Connor’s Gen Z-friendly decision to cast “Sex Education” star Emma Mackey in the title role (a brilliant idea, it turns out).
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Said big bad - rising star Jonathan Majors - doesn’t disappoint, towering over “Quantumania” and its little ant friends with genuine pathos, pain, and fear, even if the most studied MCU scholars will likely be confused by what exactly his Kang the Conquerer wants and, uh, is. But cramming Majors’ Kang against Rudd’s Scott Lang (AKA Ant-Man), his plucky kid (Kathryn Newton as Cassie), his iron-willed partner (Evangeline Lilly as Hope van Dyne), and her parents (Michael Douglas as Hank Pym and Michelle Pfeiffer as Janet van Dyne) as they zip and zag through a tiny, “Star Wars”-influenced world doesn’t just feel confusing it can feel outright mean.
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That’s a tough ask for a series that’s as lighthearted as the MCU gets. As the first film in Phase Five, “Quantumania” is scarcely allowed to be its own thing, because it’s also tasked with introducing the big bad who will lord over the franchise for the foreseeable future.
While Peyton Reed and star Paul Rudd continue to mine plenty of laughs from the silliness of a superhero whose main powers include getting really big and really small and utilizing ants as his primary assistants (one thing to anticipate: plenty of “ants?” jokes), “Quantumania” suffers what’s become the classic MCU problem: It’s not content to focus on its eponymous superhero. “Ant-Man and the Wasp: Quantumania” (directed by Peyton Reed)
Additionally, our coverage will provide alternative viewing options whenever they are available. We encourage readers to follow the safety precautions provided by CDC and health authorities. Week of February 13 – February 19 New Films in TheatersĪs new movies open in theaters during the COVID-19 pandemic, IndieWire will continue to review them whenever possible. Tasty?Įach film is now available in a theater near you or in the comfort of your own home (or, in some cases, both, the convenience of it all).
In this case, President’s Day Weekend comes with the release of not one, but two of the best films of the year (yes, we’re only in mid-February yes, we already feel confident enough to announce this claim), including Albert Serra’s “Pacifiction” and Davy Chou’s “Return to Seoul.”īut even if you’ve already been treated to both of those films, which previously played around the festival circuit, this weekend holds no shortage of other, wonderful, smaller films, including Frances O’Connor’s daring “Emily” and Goran Stolevski’s aching “Of an Age.” And while this week’s other spin on classic IP (we’re talking, of course, about “Winnie the Pooh: Blood and Honey”) might have only enjoyed a one-night release, its makers are hoping to lock in more theatrical dates before it goes to VOD.
Tale as old as time: while this holiday weekend at the multiplex will likely be dominated by the latest Marvel Cinematic Universe joint (in this case, Peyton Reed’s third “Ant-Man” film), it’s the smaller new releases that are really worth getting excited about. Products featured are independently selected by our editorial team and we may earn a commission from purchases made from our links.
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